For this shot we moved the tripod and zoomed in a bit. We reduced the key and fill speedlights all by half power from our previous settings, allowing our homemade shop vac snoot speedlight to dominate
Thursday, September 17, 2009
This week we have taken it a step further. Same Canon 1-Ds Mark III and same 24-105mm lens, but we revamped the lighting. We had a total of 4 Canon Speedlights 580EX II. One on the camera set to master mode (not firing). The key was set to +0 power with a sepia colored Rosco gel, mounted on a regular light stand shot through 36"x18" grid of glass block (plastic block works just as well and is half the price). The fill light was set -2 power, our top light, shot into the side wall of the FourSquare. We used 2 diffusion screens to cut as well as soften the light. We use a black card clamped to a C-stand to feather the fill light, creating a graduation of light. The spot highlight comes from our last speedlight set to -1 power with an improvised snoot made from a shop vac attachment. A Rosco sepia gel covering half the "snoot" right down the middle. We wanted a touch of light spilling out from both sides of the gel.
New Images using the FourSquare
Thursday, September 10, 2009
Thursday, September 3, 2009
Thursday, August 27, 2009
Thursday, August 13, 2009
Potato Masher
Camera: Nikon D3X, ISO 100, 1/125, f11, 4550 k, Manual Mode, 24-70mm 2.8.Key Light: One Sunpak auto511 set to full power inside the FourSquare softbox.
Background Light: One Lumedyne head with a standard reflector set to wide at 100 w/s.
I have been testing a variety of old school flashes to ensure their compatibility with the FourSqaure. The FourSquare is a truly a versatile tool that can be used with just about any hot shoe flash.
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